Joan started on hearing his name. It was one well known. “No,” she answered with a smile. “But it will hurt me if you fail. Remember that.”!

She held out a large strong hand and gave Joan a longish grip. “You’re right,” she said, “we must get her out of this house at once. Forgive me.” “I wasn’t really,” explained Mr. Folk. “I just walked and talked naturally. It made rather a sensation at the time. Your mother was a genius. You have never thought of going on the stage yourself?”

He did not reply to her question. “Master or Mistress Eminent Artist,” he said; “intends to retire from his or her particular stage, whatever it may be. That paragraph ought always to be put among the obituary notices.” “Who is the true soldier? He who has put away self. His own ease and comfort, even his own needs, his own safety: they are but as a feather in the balance when weighed against his love for his comrades, for his country. The true soldier is not afraid to love. He gives his life for his friend. Do you jeer at him? Do you say he is a fool for his pains? No, it is his honour, his glory.” “They would never overtake the farmer,” he answered, with a laugh. “And the last word would always be with him. I am out to get rid of the landlords,” he continued, “not to establish them as the permanent rulers of the country, as they are in Germany. The people are more powerful—just a little, because they are no longer dependent on the land. They can say to the farmer, ‘All right, my son, if that’s your figure, I’m going to the shop next door—to South America, to Canada, to Russia.’ It isn’t a satisfactory solution. I want to see England happy and healthy before I bother about the Argentine. It drives our men into the slums when they might be living fine lives in God’s fresh air. In the case of war it might be disastrous. There, I agree with him. We must be able to shut our door without fear of having to open it ourselves to ask for bread. How would Protection accomplish that? Did he tell you?”